138 bars of 4/4 at 115 BPM, about 4:48 of playing, on crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 3-4, toms through bars 5-16, snare through bars 17-78, toms through bars 79-81 and snare through bars 82-138.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 38 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
21
1...........2...........3...........4...........
CC |x-----------------------------------------------|
SD |x--x--x--X--x--x--X--x--x--x--x--X--x--x--X--x--|
BD |x-----------x-----------x-----------x-----------|
HF |------x-----------x-----------x-----------x-----|7 fills to learn, played 14 times: bars 24, 26, 46, 50, 60, 68 and 8 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
138 bars, about 4:48 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 27 minutes each.
crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 24, 26, 46, 50, 60, 68 and 8 more.