138 bars of 4/4 at 115 BPM, about 4:48 of playing, on crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 38 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 14 times: bars 24, 26, 46, 50, 60, 68 and 8 more.
3 more fills are written out on the fills page.
138 bars across 10 sections: 109 keep time, 14 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 82-102.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
138 bars, about 4:48 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 27 minutes each.
crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 24, 26, 46, 50, 60, 68 and 8 more.