125 bars of 4/4 at 145 BPM, about 3:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 65-80 -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 17 times: bars 8, 12, 16, 20, 24, 28 and 11 more.
8 more fills are written out on the fills page.
125 bars across 16 sections: 64 keep time, 17 are fills, 9 are stops and 21 are silent. The longest unbroken stretch of time is bars 66-80.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
125 bars, about 3:27 at the written tempo. The course breaks it into 57 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 8, 12, 16, 20, 24, 28 and 11 more.