90 bars of 4/4 at 128 BPM, about 2:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 13 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 15 times: bars 9, 13, 25, 29, 33, 40 and 9 more.
7 more fills are written out on the fills page.
90 bars across 11 sections: 50 keep time, 16 are fills, 9 are stops and 2 are silent. The longest unbroken stretch of time is bars 15-24.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
90 bars, about 2:47 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 15 times: bars 9, 13, 25, 29, 33, 40 and 9 more.