114 bars of 4/4 at 130 BPM, about 3:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 7-9, 25 and 27, and 4 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 39 times: bars 4, 8, 14, 15, 16, 18 and 33 more.
8 more fills are written out on the fills page.
114 bars across 11 sections: 57 keep time, 39 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 93-99.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 56 out of 100; the rest of the number is everything around it.
114 bars, about 3:30 at the written tempo. The course breaks it into 42 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 39 times: bars 4, 8, 14, 15, 16, 18 and 33 more.