158 bars of 4/4 at 133 BPM, about 4:45 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-34 -- 13.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 74, 98, 114, 128, 129, 130 and 1 more.
1 more fill is written out on the fills page.
158 bars across 14 sections: 101 keep time, 7 are fills, 16 are stops and 24 are silent. The longest unbroken stretch of time is bars 17-34.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 6 out of 100; the rest of the number is everything around it.
158 bars, about 4:45 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 74, 98, 114, 128, 129, 130 and 1 more.