149 bars of 4/4 at 128 BPM, about 4:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 23-25 and 27-29, and 10 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 22 times: bars 5, 21, 41, 53, 65, 66 and 16 more.
11 more fills are written out on the fills page.
149 bars across 11 sections: 111 keep time, 22 are fills and 5 are silent. The longest unbroken stretch of time is bars 22-40.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
149 bars, about 4:39 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 22 times: bars 5, 21, 41, 53, 65, 66 and 16 more.