80 bars of 4/4 at 140 BPM, about 2:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-47, 49-51 and 61-63, and 1 more place -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 15 times: bars 20, 24, 28, 33, 34, 44 and 9 more.
9 more fills are written out on the fills page.
80 bars across 10 sections: 26 keep time, 15 are fills, 13 are stops and 19 are silent.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 66 out of 100; the rest of the number is everything around it.
80 bars, about 2:17 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 15 times: bars 20, 24, 28, 33, 34, 44 and 9 more.