80 bars of 4/4 at 120 BPM, about 2:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-22 -- 8.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 2 times: bars 49 and 53.
80 bars across 16 sections: 46 keep time, 2 are fills, 6 are stops and 22 are silent. The longest unbroken stretch of time is bars 24-32.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
33 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
80 bars, about 2:40 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 49 and 53.