90 bars of 4/4 at a walking 80 BPM, 4:30 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 18 and 21-22, and 5 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 32 times: bars 9, 12, 13, 32, 33, 36 and 26 more.
7 more fills are written out on the fills page.
90 bars across 11 sections: 38 keep time, 32 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 21-27.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
90 bars, about 4:30 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 26 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 32 times: bars 9, 12, 13, 32, 33, 36 and 26 more.