196 bars of 4/4 at 146 BPM, about 5:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 63-75, 104-117 and 167-179 -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 27 times: bars 18, 22, 23, 51, 52, 53 and 21 more.
3 more fills are written out on the fills page.
196 bars across 19 sections: 117 keep time, 27 are fills, 18 are stops and 15 are silent. The longest unbroken stretch of time is bars 32-50.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
196 bars, about 5:22 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 27 times: bars 18, 22, 23, 51, 52, 53 and 21 more.