118 bars of 4/4 at 140 BPM, about 3:22 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 43-45, 47-49 and 51-53, and 5 more places -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 28 times: bars 22, 26, 30, 34, 36, 37 and 22 more.
10 more fills are written out on the fills page.
118 bars across 12 sections: 54 keep time, 28 are fills, 8 are stops and 18 are silent. The longest unbroken stretch of time is bars 47-53.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
118 bars, about 3:22 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 28 times: bars 22, 26, 30, 34, 36, 37 and 22 more.