169 bars of 4/4 at 142 BPM, about 4:32 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26, 30 and 34, and 13 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 19 times: bars 69, 79, 80, 85, 86, 87 and 13 more.
2 more fills are written out on the fills page.
169 bars across 14 sections: 88 keep time, 19 are fills, 1 is a stop and 48 are silent. The longest unbroken stretch of time is bars 54-66.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
169 bars, about 4:32 at the written tempo. The course breaks it into 50 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 19 times: bars 69, 79, 80, 85, 86, 87 and 13 more.