54 bars of 4/4 at 128 BPM, about 1:41 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 4-9 and 21-24 -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 6 times: bars 1, 2, 3, 13, 14 and 20.
54 bars across 7 sections: 24 keep time, 6 are fills, 16 are stops and 2 are silent. The longest unbroken stretch of time is bars 4-9.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
54 bars, about 1:41 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 6 times: bars 1, 2, 3, 13, 14 and 20.