155 bars of 4/4 at 130 BPM, about 4:46 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5 and 7, and 35 more places -- 29.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 11 times: bars 18, 34, 86, 110, 122, 133 and 5 more.
1 more fill is written out on the fills page.
155 bars across 15 sections: 125 keep time, 12 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 42-74.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
155 bars, about 4:46 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 18, 34, 86, 110, 122, 133 and 5 more.