59 bars of 4/4 at 120 BPM, about 1:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 10 and 57-58 -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 18 times: bars 22, 23, 24, 25, 26, 27 and 12 more.
59 bars across 6 sections: 25 keep time, 18 are fills, 8 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-8.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 0 out of 100; the rest of the number is everything around it.
59 bars, about 1:58 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 18 times: bars 22, 23, 24, 25, 26, 27 and 12 more.