153 bars of 4/4 at 140 BPM, about 4:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 9 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 31 times: bars 4, 8, 12, 16, 20, 24 and 25 more.
13 more fills are written out on the fills page.
153 bars across 11 sections: 90 keep time, 31 are fills and 22 are stops. The longest unbroken stretch of time is bars 29-35.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
153 bars, about 4:22 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 31 times: bars 4, 8, 12, 16, 20, 24 and 25 more.