165 bars of 4/4 at 146 BPM, about 4:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-36, 61-67 and 69-80 -- 25.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 17 times: bars 40, 84, 102, 107, 108, 112 and 11 more.
7 more fills are written out on the fills page.
165 bars across 20 sections: 107 keep time, 17 are fills, 10 are stops and 12 are silent. The longest unbroken stretch of time is bars 18-36.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
165 bars, about 4:31 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 40, 84, 102, 107, 108, 112 and 11 more.