96 bars of 4/4 at 112 BPM, about 3:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 22-24, and 11 more places -- 34.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 1, 13, 37, 69, 70 and 91.
96 bars across 7 sections: 79 keep time, 7 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 39-59.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 33 out of 100; the rest of the number is everything around it.
96 bars, about 3:25 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 1, 13, 37, 69, 70 and 91.