280 bars of 4/4 at 145 BPM, about 7:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-12, kick and crashes through bars 13-14, ride through bars 15-16, kick and crashes through bars 17-18, ride through bars 19-20 and snare through bars 21-74, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 29-37, and 16 more places -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
21
1...........2...........3...........4...........
CC |x-----------x-----------x-----------x-----------|
SD |------------x-----------------------x-----------|
BD |x-----------------------x--------x--------------|26 fills to learn, played 40 times: bars 20, 24, 28, 38, 54, 58 and 34 more.
It cuts the song into 82 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
280 bars, about 7:43 at the written tempo. The course breaks it into 82 exercises over 25 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 40 times: bars 20, 24, 28, 38, 54, 58 and 34 more.