280 bars of 4/4 at 145 BPM, about 7:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 29-37, and 16 more places -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26 fills to learn, played 40 times: bars 20, 24, 28, 38, 54, 58 and 34 more.
22 more fills are written out on the fills page.
280 bars across 14 sections: 167 keep time, 40 are fills, 52 are stops and 1 is silent. The longest unbroken stretch of time is bars 134-161.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
280 bars, about 7:43 at the written tempo. The course breaks it into 82 exercises over 25 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 40 times: bars 20, 24, 28, 38, 54, 58 and 34 more.