162 bars of 4/4 at 137 BPM, about 4:44 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45, 47 and 53-58, and 6 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 43 times: bars 2, 4, 6, 7, 8, 9 and 37 more.
9 more fills are written out on the fills page.
162 bars across 13 sections: 84 keep time, 43 are fills, 12 are stops and 10 are silent. The longest unbroken stretch of time is bars 22-35.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
162 bars, about 4:44 at the written tempo. The course breaks it into 52 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 43 times: bars 2, 4, 6, 7, 8, 9 and 37 more.