59 bars of 4/4 at 117 BPM, about 1:57 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 18-20 and 49-55 -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 12 times: bars 3, 7, 13, 14, 15, 16 and 6 more.
2 more fills are written out on the fills page.
61 bars across 8 sections: 30 keep time, 12 are fills, 12 are stops and 1 is silent. The longest unbroken stretch of time is bars 29-37.
117 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 77 out of 100; the rest of the number is everything around it.
59 bars, about 1:57 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 3, 7, 13, 14, 15, 16 and 6 more.