160 bars of 4/4 at 126 BPM, about 5:05 of playing, on hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 26-35, 51-55 and 61-75, and 3 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
160 bars across 20 sections: 135 keep time and 4 are silent. The longest unbroken stretch of time is bars 117-135.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
160 bars, about 5:05 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.