102 bars of 4/4 at 123 BPM, about 3:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 24-27, 29-36 and 47-49 -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 13 times: bars 22, 23, 28, 46, 61, 63 and 7 more.
6 more fills are written out on the fills page.
102 bars across 13 sections: 60 keep time, 13 are fills, 16 are stops and 2 are silent. The longest unbroken stretch of time is bars 29-36.
123 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
102 bars, about 3:16 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 13 times: bars 22, 23, 28, 46, 61, 63 and 7 more.