264 bars of 4/4 at 120 BPM, about 8:48 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-6, hi-hat through bars 7-22, snare through bars 23-30, hi-hat through bars 31-38, snare through bars 39-46 and hi-hat through bars 47-54, and 23 more changes after that.
The beat the song is built on is one bar, played through bars 7-14, 16-17 and 19, and 7 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
23
1.......2.......3.......4.......
CC |X---x---x---x---x---x---x---x---|
SD |--------X---------------X-------|
BD |x---x-----x-----x---x-----x---x-|10 fills to learn, played 24 times: bars 5, 6, 18, 50, 55, 56 and 18 more.
It cuts the song into 62 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
264 bars, about 8:48 at the written tempo. The course breaks it into 62 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 24 times: bars 5, 6, 18, 50, 55, 56 and 18 more.