264 bars of 4/4 at 120 BPM, about 8:48 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-14, 16-17 and 19, and 7 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 24 times: bars 5, 6, 18, 50, 55, 56 and 18 more.
7 more fills are written out on the fills page.
264 bars across 24 sections: 172 keep time, 24 are fills, 44 are stops and 9 are silent. The longest unbroken stretch of time is bars 19-42.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
264 bars, about 8:48 at the written tempo. The course breaks it into 62 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 24 times: bars 5, 6, 18, 50, 55, 56 and 18 more.