108 bars of 4/4 at 120 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 5 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 43 times: bars 4, 6, 8, 10, 12, 20 and 37 more.
15 more fills are written out on the fills page.
108 bars across 14 sections: 46 keep time, 43 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 14-19.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
108 bars, about 3:36 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 43 times: bars 4, 6, 8, 10, 12, 20 and 37 more.