133 bars of 4/4 at 146 BPM, about 3:21 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 74-80 and 123-130 -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 30 times: bars 32, 33, 37, 57, 64, 65 and 24 more.
10 more fills are written out on the fills page.
133 bars across 10 sections: 68 keep time, 30 are fills and 25 are stops. The longest unbroken stretch of time is bars 43-53.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
133 bars, about 3:21 at the written tempo. The course breaks it into 53 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 30 times: bars 32, 33, 37, 57, 64, 65 and 24 more.