82 bars of 4/4 at 126 BPM, about 2:36 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 19-25, 37-43 and 67-69, and 3 more places -- 30.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 21 times: bars 1, 6, 10, 14, 17, 18 and 15 more.
7 more fills are written out on the fills page.
82 bars across 8 sections: 54 keep time, 21 are fills and 1 is silent. The longest unbroken stretch of time is bars 19-25.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
82 bars, about 2:36 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 1, 6, 10, 14, 17, 18 and 15 more.