93 bars of 4/4 at 127 BPM, about 2:56 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 53-59, and 4 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 11 times: bars 16, 24, 28, 36, 60, 68 and 5 more.
4 more fills are written out on the fills page.
93 bars across 9 sections: 45 keep time, 11 are fills, 24 are stops and 3 are silent. The longest unbroken stretch of time is bars 53-59.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
93 bars, about 2:56 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 16, 24, 28, 36, 60, 68 and 5 more.