85 bars of 4/4 at 120 BPM, about 2:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-3, 7-10 and 31-35, and 1 more place -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
85 bars across 16 sections: 68 keep time and 2 are stops. The longest unbroken stretch of time is bars 77-85.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
85 bars, about 2:50 at the written tempo. The course breaks it into 34 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.