136 bars of 4/4 at 125 BPM, about 4:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-43, 45-51 and 53-55, and 5 more places -- 30.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 18 times: bars 8, 16, 20, 35, 36, 44 and 12 more.
3 more fills are written out on the fills page.
136 bars across 9 sections: 100 keep time, 18 are fills and 8 are stops. The longest unbroken stretch of time is bars 21-32.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
136 bars, about 4:21 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 8, 16, 20, 35, 36, 44 and 12 more.