98 bars of 4/4 at 133 BPM, about 2:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 10 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 23 times: bars 1, 25, 29, 30, 31, 32 and 17 more.
6 more fills are written out on the fills page.
98 bars across 7 sections: 66 keep time, 23 are fills and 1 is a stop. The longest unbroken stretch of time is bars 2-21.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
98 bars, about 2:57 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 23 times: bars 1, 25, 29, 30, 31, 32 and 17 more.