99 bars of 4/4 at 125 BPM, about 3:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 27-33, 63-69 and 83-89, and 1 more place -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 54, 97 and 98.
99 bars across 10 sections: 82 keep time, 3 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-17.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
99 bars, about 3:10 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 54, 97 and 98.