200 bars of 3/4 -- not four -- at 86 BPM, 6:59 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-17, kick and crashes through bars 18-24, ride through bars 25-34, silence through bars 35-36, hi-hat through bars 37-50 and ride through bars 51-52, and 21 more changes after that.
The beat the song is built on is one bar, played through bars 37-43, 45-48 and 53-55 -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
38
1e+a2e+a3e+a
HH |x-x-x-x-x-x-|
SD |------x-----|
BD |x-----------|17 fills to learn, played 46 times: bars 18, 44, 50, 52, 56, 58 and 40 more.
It cuts the song into 65 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
200 bars, about 6:59 at the written tempo. The course breaks it into 65 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 46 times: bars 18, 44, 50, 52, 56, 58 and 40 more.