200 bars of 3/4 -- not four -- at 86 BPM, 6:59 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-43, 45-48 and 53-55 -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 46 times: bars 18, 44, 50, 52, 56, 58 and 40 more.
13 more fills are written out on the fills page.
200 bars across 22 sections: 72 keep time, 46 are fills, 5 are stops and 62 are silent. The longest unbroken stretch of time is bars 21-27.
86 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
200 bars, about 6:59 at the written tempo. The course breaks it into 65 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 46 times: bars 18, 44, 50, 52, 56, 58 and 40 more.