124 bars of 4/4 at 112 BPM, about 4:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-43, 69-76 and 79-80, and 4 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 21 times: bars 8, 12, 16, 20, 24, 28 and 15 more.
7 more fills are written out on the fills page.
124 bars across 12 sections: 83 keep time, 21 are fills and 8 are stops. The longest unbroken stretch of time is bars 110-123.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
124 bars, about 4:26 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 8, 12, 16, 20, 24, 28 and 15 more.