20 bars of 4/4 at 140 BPM, about 0:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4-5 -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 4 times: bars 13, 14, 17 and 18.
20 bars across 8 sections: 12 keep time, 4 are fills and 4 are silent. The longest unbroken stretch of time is bars 1-8.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
20 bars, about 0:36 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 4 times: bars 13, 14, 17 and 18.