125 bars of 4/4 at 125 BPM, about 4:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 33-40, 69-75 and 111-118 -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
125 bars across 16 sections: 78 keep time, 3 are stops and 30 are silent. The longest unbroken stretch of time is bars 93-102.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 62 out of 100; the rest of the number is everything around it.
125 bars, about 4:00 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.