96 bars of 4/4 at 120 BPM, about 3:12 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-22, 33-39 and 41-45, and 1 more place -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 7 times: bars 11, 23, 24, 56, 63, 64 and 1 more.
1 more fill is written out on the fills page.
96 bars across 12 sections: 68 keep time, 7 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 34-46.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
96 bars, about 3:12 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 11, 23, 24, 56, 63, 64 and 1 more.