68 bars of 4/4 at 118 BPM, about 2:18 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 7-11, 21-23 and 27, and 1 more place -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 12, 16, 24, 28, 32, 40 and 4 more.
2 more fills are written out on the fills page.
68 bars across 11 sections: 41 keep time, 10 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 4-11.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
68 bars, about 2:18 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 12, 16, 24, 28, 32, 40 and 4 more.