153 bars, 9:37, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 54-71 and 82-89 -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 5 times: bars 25, 33, 45, 116 and 117.
153 bars across 14 sections: 106 keep time, 5 are fills, 3 are stops and 30 are silent. The longest unbroken stretch of time is bars 131-153.
60 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
153 bars, about 9:37 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 25, 33, 45, 116 and 117.