100 bars of 4/4 at 135 BPM, about 2:58 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 25-27, and 9 more places -- 29% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 16 times: bars 8, 12, 20, 24, 39, 43 and 10 more.
7 more fills are written out on the fills page.
100 bars across 15 sections: 57 keep time, 16 are fills, 6 are stops and 7 are silent. The longest unbroken stretch of time is bars 58-65.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
100 bars, about 2:58 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 16 times: bars 8, 12, 20, 24, 39, 43 and 10 more.