115 bars of 4/4 at 128 BPM, about 3:36 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-22, 29 and 31-37, and 5 more places -- 76.3% of every bar the kit plays. Learn that one and the song is very nearly finished.
4 fills to learn, played 5 times: bars 5, 6, 30, 94 and 115.
115 bars across 11 sections: 82 keep time, 5 are fills, 1 is a stop and 22 are silent. The longest unbroken stretch of time is bars 54-78.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
115 bars, about 3:36 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 5, 6, 30, 94 and 115.