51 bars of 4/4 at 125 BPM, about 1:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-27 and 31-37 -- 25.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 13 times: bars 3, 4, 5, 6, 7, 8 and 7 more.
51 bars across 3 sections: 23 keep time, 13 are fills and 14 are stops. The longest unbroken stretch of time is bars 22-37.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 75 out of 100; the rest of the number is everything around it.
51 bars, about 1:38 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 13 times: bars 3, 4, 5, 6, 7, 8 and 7 more.