The beat the song is built on is one bar, played through bars 25-31, 33-39 and 41-47, and 2 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on snare, kick and hi-hat foot, counted in sixteenth notes. On its own it scores 29 out of 100 -- a fair first song -- and the thing that decides that is how many notes a second it asks for.
The whole song is 44 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 95 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 95, 111 and 127 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on snare, kick and hi-hat foot, in 4/4 at 127 BPM, counted in sixteenth notes. It is written out above, and it covers 23.2% of the bars the kit plays.
Bars 25-31, 33-39, 41-47 and 49-51, and 1 more place. The time is kept on the silence to start with, and it changes 13 times over the song.
29 out of 100 on its own -- a fair first song. The song as a whole is 44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.