176 bars of 4/4 at 127 BPM, about 5:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-3, toms through bars 4-21, snare through bars 22-52, hi-hat through bars 53-60, snare through bars 61-76 and hi-hat through bars 77-101, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 25-31, 33-39 and 41-47, and 2 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26
1e+a2e+a3e+a4e+a
SD |rrr-r-rrxrrrr-r-|
BD |x-------------x-|
HF |--------x-------|13 fills to learn, played 19 times: bars 32, 40, 48, 52, 60, 76 and 13 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
176 bars, about 5:33 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 19 times: bars 32, 40, 48, 52, 60, 76 and 13 more.