The beat the song is built on is one bar, played through bars 25-29, 31-33 and 35-40, and 4 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, hi-hat, snare and kick, counted in thirty-second notes. On its own it scores 24 out of 100 -- straightforward -- and the thing that decides that is how fine the subdivision is.
The whole song is 66 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 83 BPM -- and adds the notes back over 3 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 83, 96 and 110 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash, hi-hat, snare and kick, in 4/4 at 110 BPM, counted in thirty-second notes. It is written out above, and it covers 16% of the bars the kit plays.
Bars 25-29, 31-33, 35-40 and 45-48, and 3 more places. The time is kept on the silence to start with, and it changes 27 times over the song.
24 out of 100 on its own -- straightforward. The song as a whole is 66 out of 100: demanding, mostly on the independence between the hands and the feet.