275 bars of 4/4 at 110 BPM, about 10:00 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-18, snare through bars 19-20, ride through bars 21-24, hi-hat through bars 25-58, silence through bars 59-73 and snare through bars 74-76, and 22 more changes after that.
The beat the song is built on is one bar, played through bars 25-29, 31-33 and 35-40, and 4 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25
1...........2...........3...........4...........
CC |x-----------------------------------------------|
HH |------o-----o-----o-----o-----o-----o-----o-----|
SD |------------------------x-----------------------|
BD |x-----------------------------------------------|17 fills to learn, played 27 times: bars 17, 18, 34, 72, 73, 74 and 21 more.
It cuts the song into 91 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
275 bars, about 10:00 at the written tempo. The course breaks it into 91 exercises over 26 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 27 times: bars 17, 18, 34, 72, 73, 74 and 21 more.